Artifacts

Artist: Divider
Label: Re:Mission Entertainment
Release Date: 1-7-2024
Genres: EBM, Industrial

Tracklist

1. Artifacts (Original Version)
2. Artifacts (Primitive Remix)
3. Artifacts (DvDSX Remix)
4. Artifacts (Hex Wolves Remix)
5. Artifacts (Snowbeasts Remix)

About Album

Riverside and Los Angeles-based EBM project Divider releases Zero on Re:Mission Entertainment April 3rd, the band’s most focused work since Bryon Wilson started the project in the late 1990s with a sound built around hard-edged sequencing, militant rhythms, and a cinematic atmosphere pulling from classic European EBM and electro-industrial traditions.

By the early 2000s the project was making noise through remixes for XP8, Diverje, and Regenerator, and eventually found a home releasing material through Basic Unit Productions, the label run by Daniel Myer (Haujobb, Architect) and Dejan Samardzic. The through line across all of it has been the same: disciplined, uncompromising body music with no interest in cutting corners.

2024 brought a significant change when Wilson brought Peter Beal into the fold on vocals and programming. It clicked immediately. Beal’s presence and instincts pushed the sound somewhere sharper and more confrontational without messing with what already worked.

Re:Mission built anticipation for the album with two remix singles. „Artifacts“ dropped in July 2024 with reworkings from Primitive, DvDSX, Hex Wolves, and Snowbeasts, each bringing their own angle to the track. „Reciprocate“ followed in March 2025 with remixes from Daniel Myer, Caustic, R010R, and A Void Eye, plus an exclusive Bandcamp cover of Tears for Fears‘ „Shout“ rounding out the release. Both singles landed well within the dark electronic community and kept the conversation going right up to the album.

Zero is the full picture. It opens and immediately you’re in it, mechanized and locked in with nowhere to go but forward. The record knows its roots in EBM and electro-industrial but isn’t interested in recreating them. Tight percussive engines, cutting synth lines, and Beal’s vocals riding the line between confrontational and haunting give the album a tension that doesn’t let go. The production is clean but keeps its edge, and the tracks hold up whether you’re listening alone or in a packed room at the right moment in the night. Mastered by Krischan J.E. Wesenberg, with artwork by John R. Mirland.

Available as a limited edition CD and digitally via Bandcamp, with digital distribution across all major platforms. A limited edition lathe cut vinyl is available through ElasticStage.